Posted by Stephan Moskovic | January 14th, 2016

CATHERINE McNEIL

Models.com’s

ICONS

When it comes to standout courses in modeling, Catherine McNeil’s enigmatic visage prevails amongst the fashion crowd. From humble beginnings being discovered at a modeling competition, McNeil worked her way to the top gaining notoriety with her cat-slanted eyes and effortless tomboy demeanor. The iconic model had an outstanding career of luxury campaigns, influential covers, and stellar shows long before she turned 18. Yet, at the height of her career in 2009 she walked away from it all to regain some normalcy from her rigorous schedule.

Her resurgence of sorts has been one of legend rising back into the ranks almost as suddenly as she disappeared – a testament to just how missed she was in the industry. It was a rainy Tuesday afternoon when the beauty from Brisbane sauntered into the Models.com office looking every bit of her mysterious self and dressed in her favorite sartorial shade – all black. That fetish-friendly, dark shade was the starting point for the provocative imagery for your viewing pleasure with risqué latex and garters galore. Exclusively for Models.com, photographer Tim Richardson captures her magical presence like it’s never been shot before – gloriously sexy and completely badass.

Photography Tim Richardson for Models.com

Tim Richardson is represented by Art + Commerce
Model – Catherine McNeil / The Society (New York)

Editor – Stephan Moskovic
Art Director – Amir Zia
Stylist – William Graper

Hair – Brent Lawler (Streeters New York)
Makeup – Dotti (Streeters New York)
Set Design – Philipp Haemmerle
Nail Technician – Mei @ Orme Square

Lighting Technician – Dean Dodos
1st Assistant – Teppei Maruoka
2nd Assistant – Andrew Frasz

Stylist Assistant – Lucy Gaston

1st Prop Assistant – Theo Volpati
2nd Prop Assistant – Ryan Stenger

Production – Art + Commerce
Executive Producer – Ziggy Levin
Producer – Matthew Liederman

Retouching – Dtouch
Digital Capture & Studio – Pier 59

Special thanks to Zana Bayne

Text and interview by Irene Ojo-Felix
Online Art Direction Stephan Moskovic

Cover: Catherine is wearing Zana Bayne choker collar, Zana Bayne skeleton harness, Linn Lomo rings courtesy of Albright Fashion Library

Left: Zana Bayne choker collar | Right: Zana Bayne choker collar, skeleton harness, Linn Lomo rings courtesy of Albright Fashion Library, Altuzarra FW15 thigh high boots

I wanted to start from the beginning of your story and talk about when you first started modeling and what got you interested in the business.
I wanted to be a model when I was about 13. My grandma took me into this agency in Brisbane and I literally tried to blend into the wall. Then they entered me in a Girlfriend Magazine modeling competition and that I ended up winning. It was part of the package to get a cover and a trip to New York so I came with my grandma and I met agencies. They were like, “It’s great! You’ll have to come back, you’ll do really well.” And I had just turned 14. Then I got back to Sydney for a few more years and one day they said, “Okay, come to New York. This photographer wants to see you.” I was like, “Okay whatever…” I had no idea who this was (turns out it was noted photographer, Mario Testino). I did all of the castings for fashion week and then flew to Paris and he said, “Okay, you’re going to stay and do this.” I said, “No you have to ask my agency.” I just stayed and shot a bunch of jobs. I really had no idea what was going on.

Did you just jump into the industry because of that opportunity? Or did you just go from 0 to 60?
I had packed my bags about 90 kilos of luggage and I just never went back.

I look at your career trajectory as having a first renaissance and second renaissance moment. You took a break in there…
Yeah, I took a couple of years off. I cut all of my hair off.

How short?
I shaved it. Then I moved to London, because I had been working for such a long time and couldn’t remember what shoots I was doing. I just wanted some time for myself.

Left: Atsuko Kudo latex bra, Vex latex brief, Zana Bayne choker, Erickson Beamon choker, Atsuko Kudo latex harness, Vex latex glove, Falke thigh highs, Christian Louboutin pump | Right: La Crasia gloves, Falke thigh highs
What did you do while you were in London?
Absolutely nothing!

Wow! Were you able to find your zen and find your peace?
Yeah, I mean it’s still better now than it’s ever been. I got bored, I never thought I would miss all of this craziness but I did. So I moved back.

“I never thought I would miss all of this craziness but I did. I was lucky enough that the industry gave me a second chance because that doesn’t happen all the time.”

So you were interested in the industry and you wanted to come back…
Yeah, I mean I do love it and it has given me so many great opportunities and I’ve gotten to meet so many amazing people. I never thought at the age of 13 that I would be living in New York, so I’m very thankful for that, but at the same time you have to realize who you are because you’re taken into this industry at such a young age.

Very moldable years.
Yeah, I think it was needed. I was lucky enough that the industry gave me a second chance because that doesn’t happen all the time.

Definitely. And how do you find your balance now between work and play so that you don’t get too burnt out?
My agency is so good that when I say I need a break they give me some time off. I’ve also got an amazing group of friends that if I’m not feeling very nice that day they’ll come over and vice versa. I do love the industry and I do get bored when I don’t work.

Left: Atsuko Kudo latex blazer, Vex latex pencil skirt, Vex latex fishnet bodysuit, Erickson Beamon choker, Chris Habana septum, La Crasia gloves | Right: Zana Bayne Skeleton harness, Zana Bayne leg garters, Christian Louboutin pumps
Now since you’ve been back, do you find in comparison to how you were before you took your break more engaged in the photo shoots?
I think so! I don’t know if anyone else does, but I think it’s like with any job it comes with experience and developing yourself. You look at some of these girls–like Anja (Rubik), for instance, is such an incredible model and she’s been around for quite a long time. The confidence comes with practice, I guess.

Yeah, for sure. I mean, it’s hard. There’s a certain vulnerability that you have to put on fully when you step in front of the camera. Because of your amazing career you’re one of the industry’s new generation icons. Your work speaks for itself, but what does iconic mean to you?
I think I’ve looked at it as models or people that are doing something in their profession that they’re very good at and they keep being good at it. Like, actors and things. I think, for me, it’s that. Being good at it and people wanting to work with you again. I still don’t consider myself an icon though! For me, it’s a job.

But there’s also a certain level of being charming. It comes across in your photos that you’re alluring and interesting and super charming.
You have to sell that dress!

Come on, you have to! So at least when you get into that mood, it comes across in the visuals. Who is iconic to you?
Um… The staples like Kate Moss and Helena Christensen, all of them. I look at the girls from when I started to come in like Natasha Poly, Sasha Pivovarova, Anja and I think they’re incredible. For me that’s iconic.

Zana Bayne linked harness dress, pendant harness (worn over dress), Maria Tash Earrings, Chris Habana Septum, La Crasia gloves
They’re still working and killing it. When you see them backstage do they ever give you any advice or do you ever talk to them?
I remember the first person I spoke to was actually Lara Stone and being in a fitting just dying. She said, “It’s okay, just autopilot and you’ll be all right.” So they’ve all been good at giving great advice, and that really helped me.

Those are people who are iconic in the industry. Do you find anyone iconic outside of fashion?
For me it’s my grandmother. I look up to her and she’s just incredible. Without her I don’t know what I would do.

You said that she had come with you the first time you were in New York… so now that she’s seen your trajectory and how you’ve grown up has she been super supportive?
I mean, we lived in a models’ apartment together for 3 weeks. She’s come on so many of my shoots. I include her a lot and she’s very interested and proud.

You travel a lot obviously because it’s the name of the game/job–What have been some of your favorite places to travel to?
I’ve been to India a couple of times and I love it there. It was kind of a little life changing experience watching the people interact and everything there is just beautiful. And Japan, I had the best time ever. I like Europe and I’ve been to a few places in Italy. But as a culture and country, I think those two places inspired me the most.

Because you’ve traveled you’ve also worked with so many amazing talents. Is there anyone that you haven’t worked with that you’d like to still work with?
I really want to work with Bruce Weber and Glen Luchford. For me, I love all of their pictures and I said to my agent, can you tell Glen I really want to shoot with him? [laughs]

Left: Zana Bayne choker collar, skeleton harness, Linn Lomo rings courtesy of Albright Fashion Library | Right: Vex latex fishnet body suit, Erickson Beamon choker, La Crasia gloves, Alexander McQueen heel courtesy of New York Vintage.
This is obviously a question that everyone probably asks you because you’re known as the resident badass with all of the tattoos… For me it stands out as such an identifier. If you lined up a bunch of models you stick out fearlessly like a thumb. Did you ever used to get push back from it?
I don’t know. It was just kind of a thing. I had always liked tattoos and I think with this industry being told you have to be a certain way I kind of just started at one and it’s gotten more intense… I’ve lost a few jobs over it, but I think for the most part people have embraced it.

Do they ever have to cover it up in shoots or runway or anything like that?
In runway they’ll put me in jackets or whatever and then Pat (McGrath) will bring the airbrush because she knows. But yeah, we shot a TV commercial that is coming out soon and they put me in a backless dress so three hours of makeup every day, even down to my hands, so I was just walking around naked.

When was your first tattoo?
I got one the day before I was 18 and then the next day I got another one. They were just little ones. But the back piece started when my ex was very into tattoos and we went to a shop in Brooklyn and I just fell in love with the art. All of the little ones I’ve gotten here in different places, but the back is from the same guy in BK.

“At the end of the day, it’s not really up to you. People in the industry pick you and I used to get sad and really down on myself if I got cancelled or didn’t get a job I was vying for. Now I’m just like, okay that means I get to sleep in a few more hours.”

What would you tell your 16 year old self now? For anything, love, work, life balance…
Oh gosh! I guess sometimes to not be so naïve and realize that not everyone, especially in this city, wants something out of you. Also, to not be so hard on yourself because I am and that’s why I want to do the best that I can when I’m working. At the end of the day, it’s not really up to you. People in the industry pick you and I used to get sad and really down on myself if I got cancelled or didn’t get a job I was vying for. Now I’m just like, okay that means I get to sleep in a few more hours.

I noticed recently you’ve dialed back on the amount of runway stuff that you’ve been doing, was that a conscience choice to focus more editorially?
Yeah, I mean basically I’m at the point now where I’ve been around long enough that people know all of that. I don’t want to, like, slug myself around cities. Obviously if someone would like me for a show I’ll do it.

La Crasia gloves, Falke thigh highs
What are your interests outside of the fashion industry and working? I find that we like to think of models as just as mannequins, but you of course are not and like to do other things.
I do a lot of stuff for the Beagle Freedom Project. Help them with promotion about animal cruelty and how a majority of animal testing is done using beagles. Everyone is always asking, what are you going to do next? I say hopefully still this!

How was your experience on set? I only saw a sliver of it on set but it looked like so much fun. Those crazily amazing Zana Bayne pieces.
She was amazing. She made all of these one-off pieces for the shoot and I have loved her stuff for a long time so I was really happy. William (Graper) was amazing, great stuff and hair and makeup were also my friends from back home so it was a great day. Truly a family affair! But the whole concept of the shoot was really cool, they did the vacuum sealed latex shot. They had me in an outfit and basically they said, “Okay, we’re going to cut a small hole in here and we’re going to suck all of the air out.” The first time I freaked out a little and said, “Let me out!” But once I got used to the sucking feeling and breathing I was fine. That was the craziest thing I’ve ever done in my life.

How was it working with the team/the photographer? How was his direction?
He helped a lot and it was good because a lot of it we planned for in a meeting right before and the references were stuff I really liked. So, it was easy and something I was really excited about. We got along really well and everyone was up for everything. It worked!

I mean, because you’re in the industry do you consider yourself super into fashion? Do you just take it just as job or would you want to go into another industry – maybe as a designer?
I really do enjoy it. I feel like I’ve gained a lot of knowledge over the years and I love clothes and how we incorporate them into our lives. Hopefully it would be something in this industry but I don’t live and breathe for fashion. It will drive you crazy.

“I really do enjoy it. I feel like I’ve gained a lot of knowledge over the years and I love clothes and how we incorporate them into our lives.”

And, I guess my final question would be where do you see yourself in the next 5 years?
I want to start making decisions that will be steps to get to what I want to do. But no, I still hope I’m doing this–modeling. There are still a lot of things in the industry for me personally that I’d like to tick off and accomplish.

Left: Zana Bayne Skeleton harness, leg garters, Christian Louboutin pumps

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5 Comments to “Catherine McNeil”

  1. Brooklyn says:

    PERFECTION. Not a fan of her but her photos are ALWAYS truly amazing. # Icon in her blood.

  2. Onin Lorente says:

    Beautiful Catherine!

  3. GP says:

    Always love the Aussie. She is so underrated, I wondered if she would because biggest than she is now if she didn’t stop. Amazing woman!

  4. ImJimmy says:

    Meisel: Give her a damn Vogue Italia cover!!! She deserves it.

  5. Melissa says:

    Wow! These images could not be further away from her true character… and so incredibly retouched. Saran wrap? Yawn!

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