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Dismay or delight, some of the most
powerful marketing entities in fashion are investing heavily in the male waif's scrawny
form. The heaviest transaction for that particular image bank is with, most obviously,
Calvin Klein, a designer whose eight figure advertising budget has put him in the position
of being a primary cultural influence. What Klein likes, the public must contend with,
because his aesthetic choices becomes an instantaneous and ubiquitous part of street
culture in a matter of days. In tandem with its visual commander-in-chief Fabien Baron,
the Klein machine has developed a propensity for importing wholesale the flavor of the
minute straight from the pages of English publications like The Face and ID, the most
notorious example being the 1992 purchase of the New Realist fashion clique led by Kate
Moss and rounded out by hairsytlist, Guido, make-up artist Dick Page and photographers
David Sims and Mario Sorrenti. |
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