Thom Browne mesmerized his audience with a theatrical spectacle during his highly anticipated debut couture collection. The Opéra Garnier served as the grand stage, as guests were seated amidst a scene of 3,000 grey cut-out faces adorning the plush velvet seats while pigeon figures were placed on the expansive podium. Browne drew inspiration from Visage’s song, “Fade to Grey,” infusing each model with a specific character essential to the performance. As Alek Wek opened the show, taking on the role of a solo traveler in a bustling train station, her luggage served as her only companion. Some models appeared as passengers, donning blown up versions of the signature Thom Browne suits and embroidered tweed ensembles, effortlessly carrying large Hector (the dog) bags. Others symbolized the various animal characters found in a bustling train station, with clog-like shoes embellished with golden bells, and those few who sported pigeons headpieces, paired with tailored jackets as skirts. Among the noticeable pieces, model Ottawa Kwami wore a striking patchwork coat, merging countryside landscapes with serene, ocean scenes. Additionally, the collection featured exaggerated balloon sleeves and hats with jewel-like eyes. Sherry Shi and Akuol Deng Atem wore standout black and white dresses featuring dramatic draping techniques. The grand finale featured Grace Elizabeth closing the show in a reinterpretation of the usual couture bridal gown, complete with a cascading train. With this first couture show, Thom Browne continues to push the boundaries of tailored design with boundless imagination.
