{"id":8433,"date":"2011-06-08T11:04:30","date_gmt":"2011-06-08T15:04:30","guid":{"rendered":"http:\/\/models.com\/mdx\/?p=8433"},"modified":"2011-06-09T08:52:48","modified_gmt":"2011-06-09T12:52:48","slug":"rad-hourani-arnhem-biennale-3","status":"publish","type":"post","link":"https:\/\/models.com\/mdx\/rad-hourani-arnhem-biennale-3\/","title":{"rendered":"Rad Hourani: Arnhem Biennale"},"content":{"rendered":"<div style=\"margin-bottom:40px;\"><img loading=\"lazy\" decoding=\"async\" src=\"\/\/i.mdel.net\/mdx\/i\/2011\/06\/Rad-Arnhem-MDX.jpg\" alt=\"\"  width=\"1280\" height=\"746\" class=\"aligncenter size-full wp-image-8396\" srcset=\"https:\/\/i.mdel.net\/mdx\/i\/2011\/06\/Rad-Arnhem-MDX.jpg 1280w, https:\/\/i.mdel.net\/mdx\/i\/2011\/06\/Rad-Arnhem-MDX-840x489.jpg 840w, https:\/\/i.mdel.net\/mdx\/i\/2011\/06\/Rad-Arnhem-MDX-1024x596.jpg 1024w, https:\/\/i.mdel.net\/mdx\/i\/2011\/06\/Rad-Arnhem-MDX-200x116.jpg 200w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/24460297?portrait=0\" width=\"1280\" height=\"720\" frameborder=\"0\"><\/iframe><\/p>\n<style>\n#introbox {border:1px solid black;padding:80px;margin:40px 0 40px 0;font-family:\"Courier New\", Courier, monospace;}\n.imgbox {border:1px solid black;padding:80px;margin:40px 0 0 0;}\n.quote {font-size:24px;}\n.credits {font-size:12px;font-family:\"Courier New\", Courier, monospace;}\n<\/style>\n<div id=\"introbox\">\nThe <a href='https:\/\/models.com\/people\/rad-hourani'>Rad Hourani<\/a> landscape, independent from conventions designated by society and industry, is a laboratory : its mandate is not limited to definition or discipline. Since the launch of his unisex brand in 2007, Hourani has exhibited internationally, including  regarded institutions such as Joyce Gallery Palais Royal (Paris), RA \/ MoMU (Antwerp) and the Palazzo Morando (Milan).<\/p>\n<p>Presenting at the upcoming Arnhem Mode Biennale 2011, Rad Hourani proposes UNFRAMED  a multimedia installation. Using light itself as the only element, the piece acts as a viewfinder into the eco-structure of the Rad Hourani universe. Visceral, intimate and all encompassing, UNFRAMED represents a utopian vision of fashion explored through video and sound.<\/p>\n<p>CREDITS :<\/p>\n<p>FILMED &#038; DIRECTED BY RAD HOURANI<br \/>\nCURATED BY MELISSA MATOS<br \/>\nEDITING &#038; SOUND DESIGN BY ANDREW GORDON MACPHERSON\n<\/p><\/div>\n<div style=\"clear:both;\"><\/div>\n<div style=\"float:left;width:640px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/24453140?portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\"><\/iframe><\/div>\n<div style=\"float:left;width:640px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/24584908?portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\"><\/iframe><\/div>\n<div style=\"clear:both;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Rad Hourani landscape, independent from conventions designated by society and industry, is a laboratory : its mandate is not limited to definition or discipline. Since the launch of his unisex brand in 2007, Hourani has exhibited internationally, including regarded institutions such as Joyce Gallery Palais Royal (Paris), RA \/ MoMU (Antwerp) and the Palazzo [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8412,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,3],"tags":[],"_links":{"self":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/8433"}],"collection":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/comments?post=8433"}],"version-history":[{"count":8,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/8433\/revisions"}],"predecessor-version":[{"id":8443,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/8433\/revisions\/8443"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media\/8412"}],"wp:attachment":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media?parent=8433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/categories?post=8433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/tags?post=8433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}