{"id":53680,"date":"2018-04-13T11:01:46","date_gmt":"2018-04-13T15:01:46","guid":{"rendered":"https:\/\/models.com\/mdx\/?p=53680"},"modified":"2018-12-03T12:19:09","modified_gmt":"2018-12-03T17:19:09","slug":"in-discussion-with-vogues-helena-suric","status":"publish","type":"post","link":"https:\/\/models.com\/mdx\/in-discussion-with-vogues-helena-suric\/","title":{"rendered":"In Discussion With: Vogue&#8217;s Helena Suric"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/ge4P7wfrYOk?rel=0&amp;showinfo=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<style>\n#introbox {border:1px solid white;padding:80px;max-width: 850px;margin: auto !important;clear:both;padding-top:30px !important;}\n#introtxt {margin:50px 0;padding:0 40px;font-size:1.3rem;text-align:justify !important;}\n#introtxt, #introtxt p,#introbox, .introcredits {font-family:'Neue Haas Unica W01', sans-serif;color:black;}\n#introbox .introcredits {font-size:1.5rem;padding:40px 0;margin-top:40px;text-align:center;}\n.txtdiv {padding: 0 40px;clear:both;}\n#introbox {font-weight:300;}\n.seriestitle {font-size:1.9em;text-align:center;font-weight:900;font-family:\"L Futura W01\",futura,helvetica;}\n.title {font-size:3em !important;font-weight:300;margin-bottom:65px;text-align:center;text-transform:capitalize;}\n.credits {text-align:center;}\n<\/style>\n<link type=\"text\/css\" rel=\"stylesheet\" href=\"\/\/fast.fonts.net\/cssapi\/1ee7eecc-8318-40d7-9f60-2840770611c0.css\"\/>\n<!-- mdc set, L Futura W01,Linotype Didot W01,Neue Haas Unica W01 --><\/p>\n<div class=\"txtdiv\"><\/div>\n<div id=\"introbox\">\n<div id=\"introtxt\">\n<div class=\"title\">In Discussion With:<br \/>Vogue&#8217;s Helena Suric<\/div>\n<p>For the fashion industry, Vogue Magazine stands as one of the last dominating pillars of print media. You can thank pop culture for that &#8211; whether it&#8217;s Madonna, Carrie Bradshaw, or Azealia Banks with the magazine&#8217;s constant references and evolution into the digital landscape, it\u2019s no surprise its stamp of approval can make a model or celebrity&#8217;s career. <a href=\"https:\/\/www.instagram.com\/helenasuric\/\">Helena Suric<\/a>, booking director of Vogue and co-director of The Talent Group at Cond\u00e9 Nast, stands as the gatekeeper to those coveted pages (and online viral shares) as she is responsible for selecting the faces for the American outpost and the many titles under Cond\u00e9 Nast&#8217;s helm. Her influence has subtly returned models to covers as the line between the genetically blessed and the digitally savvy have been blurred, disrupting the system as we know it. In this original video co-produced by Models.com in collaboration with <a href=\"\/\/models.com\/agency\/Ford-Models\">Ford Models<\/a>, <a href=\"https:\/\/www.instagram.com\/chrimichael\">Christopher Michael<\/a> spoke with Suric about her transition from model agent to model booker, Vogue&#8217;s stance on diversity today, and the importance of models having a platform. <\/p>\n<div class=\"introcredits\">\nA Models.com &amp; Ford Models co-production<\/p>\n<p>Interview \/ Christopher Michael<br \/>\nEditors \/ <a href=\"\/\/models.com\/people\/stephan-moskovic\">Stephan Moskovic<\/a> &#038; <a href=\"\/\/models.com\/people\/christopher-michael\">Christopher Michael<\/a><br \/>\nDirected by <a href=\"https:\/\/www.instagram.com\/Jeremy_Mcclain\/\">Jeremy McClain<\/a><br \/>\nAssociate Editors \/ <a href=\"\/\/models.com\/people\/irene-ojo-felix\">Irene Ojo-Felix<\/a> &#038; <a href=\"\/\/models.com\/people\/steven-yatsko\">Steven Yatsko<\/a><br \/>\nSpecial Thanks \/ Ashton Do &#038; Puriya Mirzamohammadi<br \/>\nText \/ Irene Ojo-Felix<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In the first of an on-going video interview series by Models.com x Ford Models, Christopher Michael sits down with Vogue&#8217;s booking editor<\/p>\n","protected":false},"author":2,"featured_media":53703,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,99,1538,3],"tags":[1177,38,3212,2554,197,1181],"_links":{"self":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/53680"}],"collection":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/comments?post=53680"}],"version-history":[{"count":24,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/53680\/revisions"}],"predecessor-version":[{"id":53706,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/53680\/revisions\/53706"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media\/53703"}],"wp:attachment":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media?parent=53680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/categories?post=53680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/tags?post=53680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}