{"id":51186,"date":"2017-05-10T09:52:33","date_gmt":"2017-05-10T13:52:33","guid":{"rendered":"https:\/\/models.com\/mdx\/?p=51186"},"modified":"2019-11-19T17:19:00","modified_gmt":"2019-11-19T22:19:00","slug":"good-contact","status":"publish","type":"post","link":"https:\/\/models.com\/mdx\/good-contact\/","title":{"rendered":"GOOD CONTACT"},"content":{"rendered":"<p><iframe loading=\"lazy\" width=\"1280\" height=\"720\" src=\"https:\/\/www.youtube.com\/embed\/Xibp5k1a5aY?rel=0&amp;showinfo=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<style>\n#introbox {border:1px solid white;padding:80px;max-width: 850px;margin: auto !important;clear:both;padding-top:30px !important;}\n#introtxt {margin:50px 0;padding:0 40px;font-size:1.3rem;text-align:justify !important;}\n#introtxt, #introtxt p,#introbox, .introcredits {font-family:'Neue Haas Unica W01', sans-serif;color:black;}\n#introbox .introcredits {font-size:.85rem;padding:40px 0;}\n.txtdiv {padding: 0 40px;clear:both;}\n#introbox {font-weight:300;}\n.seriestitle {font-size:1.9em;text-align:center;font-weight:900;font-family:\"L Futura W01\",futura,helvetica;}\n.title {font-size:1.4em !important;font-weight:500;margin-bottom:65px;text-align:center;}\n.credits {text-align:center;}\n<\/style>\n<link type=\"text\/css\" rel=\"stylesheet\" href=\"\/\/fast.fonts.net\/cssapi\/1ee7eecc-8318-40d7-9f60-2840770611c0.css\"\/>\n<!-- mdc set, L Futura W01,Linotype Didot W01,Neue Haas Unica W01 --><\/p>\n<div class=\"txtdiv\"><\/div>\n<div id=\"introbox\">\n<div id=\"introtxt\">\n<div class=\"seriestitle\">MDX DOUBLE FEATURE<\/div>\n<div class=\"title\">GOOD CONTACT \/ <a href=\"https:\/\/models.com\/mdx\/round-and-round-she-goes\/\">ROUND AND ROUND SHE GOES<\/a><\/div>\n<p><a href='\/\/models.com\/models\/alexandra-elizabeth'>Alexandra Elizabeth Ljadov<\/a> continues her leap from model to filmmaker and beyond dropping a double bill premiering right now on Models.com, letting her creative spark shine bright. The two part presentation adds to a growing directorial portfolio from the Estonian hyphenate. Given the short time she\u2019s moved from wanted model to capable creator \u2013 we don\u2019t think she\u2019s having a major expressive moment, we know it. <\/p>\n<p>The loosely accompanying short film \u201cGood Contact\u201d, starring Alexandra, is an experimental dramatization and postscript to a real life incident. Filmed in a stark, figurative set, Alex voices blunt sentiments on manners and rules of conduct. <\/p>\n<div class=\"introcredits\" style=\"margin-top:40px;\">\nA Models.com film by <a href='\/\/models.com\/models\/alexandra-elizabeth'>Alexandra Elizabeth Ljadov<\/a><\/p>\n<p>Directed \u2013 <a href='\/\/models.com\/models\/alexandra-elizabeth'>Alexandra Elizabeth Ljadov<\/a><br \/>\nCinematography \u2013 <a href=\"https:\/\/www.instagram.com\/terryfromtheeast\/\">Andri Peetso<\/a> <\/p>\n<p>Cast<\/p>\n<p>Alex \u2013 <a href='\/\/models.com\/models\/alexandra-elizabeth'>Alexandra Elizabeth Ljadov<\/a><br \/>\nDorothy \u2013 Grete Ly Valing<br \/>\nThe Boy \u2013 Mihail Lustin<br \/>\nBella \u2013 Bella Perk<\/p>\n<p>Edited \u2013 Henri Keerutaja<br \/>\nSound Design \u2013 Kristjan Kurm\n<\/p><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MDX DOUBLE FEATURE GOOD CONTACT \/ ROUND AND ROUND SHE GOES Alexandra Elizabeth Ljadov continues her leap from model to filmmaker and beyond dropping a double bill premiering right now on Models.com, letting her creative spark shine bright. The two part presentation adds to a growing directorial portfolio from the Estonian hyphenate. Given the short [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":51193,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[155,2129,1538,3],"tags":[1915],"_links":{"self":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/51186"}],"collection":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/comments?post=51186"}],"version-history":[{"count":13,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/51186\/revisions"}],"predecessor-version":[{"id":51232,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/posts\/51186\/revisions\/51232"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media\/51193"}],"wp:attachment":[{"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/media?parent=51186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/categories?post=51186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/models.com\/mdx\/wp-json\/wp\/v2\/tags?post=51186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}