Documents massive new issue shines a light on the future and we’ve got it here


Jolie Alien by Igor Pjörrt | Stylist Sarah Richardson | Makeup Emma Toeke Zoia

As large as they come––672 packed pages (356 of which are fashion pages)––Document Journal No. 13 is practically bursting at the seams with pictures by photography’s top brass. Wrapped in 7 covers with visual marriages from Willy Vanderperre/Olivier Rizzo, Craig McDean/Grace Coddington, Katy Grannan/Sarah Richardson, Ryan McGinley/Virgil Abloh, Richard Bush/Sarah Richardson, plus a cover from Hedi Slimane photographed right after his polarizing Celine SS19 show. We know that Document likes its cover contributors like very veteran, but initiated for the first time into the tribe are also fresh talents Tyler Mitchell and Igor Pjörrt, the latter being the winner of Document’s inaugural The New Vanguard Prize. We do miss Mario though, too. In a press release, Nick Vogelson, the magazine’s editor-in-chief, said, “We view the world through a new prism––an honest one, frightening at times, but exhilarating in its potential. Document Fall/Winter 2018 stands at the crossroads at which we have all arrived—acknowledging the past, embracing the present, and shining a light on the future.” Inside and out it’s all first-rate! Take an exclusive look inside the entire issue:

Images courtesy of Document Magazine


Adut Akech by Tyler Mitchell | Stylist Sarah Richardson | Hair Cyndia Harvey | Makeup Frank B | Set Mila Taylor-Young


Ansolet Rossouw by Richard Bush | Stylist Sarah Richardson | Hair Soichi Inagaki | Makeup Mathias van Hooff


by Willy Vanderperre | Stylist Olivier Rizzo | Hair Anthony Turner | Makeup Peter Philips | Casting Ashley Brokaw


Katy Grannan | Stylist Sarah Richardson | Hair and makeup Rachel Stolte


Hannah Motler by Hedi Slimane


Mia Goth by Craig McDean | Stylist Grace Coddington | Hair Orlando Pita | Makeup Francelle Daly | Manicure Megumi Yamamoto


Steve Lacy, Syd and Lekeith Standfield by Ryan McGinley | Stylist Virgil Abloh | Grooming Johnnie Sapong


Vivienne Rohner by Brianna Capozzi | Stylist Delphine Danhier | Hair Marki Shkreli | Makeup Yumi Lee


Mia Goth by Craig McDean | Stylist Grace Coddington | Hair Orlando Pita | Makeup Francelle Daly | Manicure Megumi Yamamoto


By Gray Sorrenti | Stylist Shawn Lakin | Hair Shingo Shibata | Makeup Kanako Takase


Jolie Alien by Igor Pjörrt | Stylist Sarah Richardson | Makeup Emma Toeke Zoia


Imari Karanja, Willa Best-Doyle, Akiima , Indira Scott, Abdulaye Niang, Michael Martin, Erin Mommsen, Dallas Sessoms, Yasmin Wijnaldum by Jack Pierson | Stylist Anders Solvsten Thomsen | Hair Shingo Shibata | Makeup Zenia Jaeger


Katy Grannan | Stylist Sarah Richardson | Hair and makeup Rachel Stolte


Saffron Vadher, Elias Bouremah by Nadine Ijewere | Stylist Alice Lefon | Hair Alfie Sackett | Makeup Lucy Burt | Manicurist Charlene Burton


Ansolet Rossouw by Richard Bush | Stylist Sarah Richardson | Hair Soichi Inagaki | Makeup Mathias van Hooff


Maryel Sousa by Roe Ethridge | Stylist Jodie Barnes | Hair James Pecis | Makeup Susie Sobol | Manicurist Ada Yeung


Steve Lacy, Syd and Lekeith Standfield by Ryan McGinley | Stylist Virgil Abloh | Grooming Johnnie Sapong


Hannah Sprehe by Suffo Moncloa | Stylist Gary David Moore | Hair Christian Eberhard | Makeup Sergio Corvacho


Lily McMenamy by Talia Chetrit | Stylist Alice Goddard


Ansley Gulielmi, Hannah Motler by Theo Wenner | Stylist Sarah Richardson | Hair Tomo Jidai | Makeup Aaron de Mey


Adele Taska, Kaila Wyatt, Saffron Vadher, Adesuwa Aighewi by Tom Ordoyno | Stylist Camille Bidault Waddington | Hair Jonathan De Francesco | Makeup Ammy Drammeh


Adut Akech, Aicha Mohamed, Anok Yai, Eniola Abioro, Hiandra Martinez, Morocco Britt-El, Xuly Williams, Theresa Hayes, Chad Britton, Fatou Jobe, Chauncey McClure, Naeem Khaliq, Tyra Mithcell by Tyler Mitchell | Stylist Sarah Richardson | Hair Cyndia Harvey | Makeup Frank B | Set Mila Taylor-Young


By Willy Vanderperre | Stylist Olivier Rizzo | Hair Anthony Turner | Makeup Peter Philips | Casting Ashley Brokaw

What’s inside Heroine Magazine’s latest issue? We’ve got it here.


Iana Godnia by Driu Crilly & Tiago Martel | Stylist Erik Raynal | Hair Michael Delmas | Makeup Asami Kawai |
Casting Svea Greichgauer at AM Casting

Just got it: HEROINE Magazine––that magazine that scratches that indie itch you just can’t reach! This issue is called “Nine Lives” hinting at a Heroine that is moodier than it was before. Four covers. Inside and out, contributors like Gro Curtis, Paolo Zerbini, Rebekah Campbell, Driu Crilly & Tiago Martel, Alison Marie Isbell and more go out of their way to put you in a fashion dream state. Plus, the most polarizing man in fashion, Celine’s Hedi Slimane, curates an extended edit of his own Paris Club photos. The whole thing is an altered consciousness that’s worth testing out. We’ve got it previewed for you below:

Images courtesy of Heroine


Molly Bair by Fabien Kruszelnicki | Stylist Gro Curtis | Hair Adam Markarian | Makeup Ralph Siciliano


By Hedi Slimane


Maisie Williams by Itai Doron | Stylist Peghah Maleknejad | Hair Larry King | Makeup Jenny Coombs


Ava Liou and Louise Constein By Davit Giorgadze | Stylist Erik Raynal | Hair Attila Kenyeres | Makeup Patrick Glatthaar


Iana Godnia by Driu Crilly & Tiago Martel | Stylist Erik Raynal | Hair Michael Delmas | Makeup Asami Kawai |
Casting Svea Greichgauer at AM Casting


By Hedi Slimane


Molly Bair by Fabien Kruszelnicki | Stylist Gro Curtis | Hair Adam Markarian | Makeup Ralph Siciliano


Kristin Soley by Paolo Zerbini | Stylist Peghah Maleknejad | Hair Sophie Anderson | Makeup Ariel Yeh | Casting Caroline Mauger


Rue Ingram by Hugh Lippe | Stylist Gro Curtis | Hair and makeup Adam Markarian


Callie Dixon by Rebekah Campbell | stylist Alison Marie Isbell | Hair Takashi Yusa | Makeup Ingeborg | Casting Boutayna at 012 Casting


Callie Dixon by Rebekah Campbell | stylist Alison Marie Isbell | Hair Takashi Yusa | Makeup Ingeborg | Casting Boutayna at 012 Casting

Holiday Magazine heads to the Himalayan kingdom of Bhutan

Just this––Holiday Magazine’s latest issue reveals its 5 wanderlust-inducing covers. The ‘international and style review’ publication heads to the Himalayan kingdom of Bhutan to fill its pages. Covers, like the one with Anna Ewers by Hill & Aubrey, or also Mario Sorrenti Romain Laprade and Jamie Hawkesworth (all seen below), celebrate the magic and mystique of the sublime setting. Pictures pleasant enough to satisfy your third eye. Other visual contributors inside the magazine include Robi Rodriguez, Karim Sadli and Harris Mizrahi. Word-ly and worldly delights are also in it: Edie Campbell, French author Oscar Coop-Phane, Clément Bénech, Emmanuel Carrère, Marie Eugène, François Blet and more scribble thoughts and muse all things Bhutan.

Images courtesy of Lucien Pages and Holiday Magazine


Anna Ewers by Hill & Aubrey | Styling Tony Irvine


Hill & Aubrey | Styling Tony Irvine


By Jamie Hawkesworth


By Romain Laprade


Jack Irving by Mario Sorrenti | Styling Carlos Nazario

Beauty 2.0: Read Aweng’s full interview for the pro-future Dazed Beauty

We knew that Dazed Beauty’s Instagram went live on September 6th ––it already has 72 posts of hyper-sleek, wtf, renderings of beauty prophecy. Today though, DazedBeauty.com officially went live. Dazed Beauty creative director and makeup maverick Isamaya Ffrench said in a press release, “Our aim is really to redfine beauty itself – for everyone.” By that, she doesn’t mean introducing new shades of lipstick: Already models like Slick Woods, musician Yves Tumor, beauty muse Princess Gollum have been 3-D scanned and reanimated by various digital artist into full-on cyperpunk fantasy that all beg the question, “What does the future of beauty look like?” That same list also includes 19-year-old, South Sudanese-born Aweng Chuol, whose full interview accompanies her digitial renderings by @weirdcoretv on the site today. The whole thing is good. Read it here or at Dazedbeauty.com.


Aweng Chuol by @weirdcoretv | Audio Leyland Kirby | 3D Scanning: Womp 3D Services | Concept and Creative Direction Isamaya Ffrench and Ben Ditto

Images and interview courtesy and originally from Dazed Beauty, text by Tish Weinstock

“I don’t know if you’ve seen images of me, but I have a lot of facial scars,” 19-year-old South Sudanese model, Aweng Mayen Chuol, laughs down the phone. She’s also known for her eyes, the whites of which change from grey to brown depending on what climate she’s in — a byproduct of a genetic condition that she was born with. “People tell me I look like a jaguar or that I’m ‘exotic’,” she laughs. “Sometimes I just want to shout at everyone: ‘Look at me, I’m not a just a scar, I’m a human.’ But I get it, it’s a curiosity. I know I’m different, I know my facial features are different, but to me that’s beauty.”

Born under a tree in a refugee camp in Kakuma, Kenya, Aweng spent her formative years in isolation. Her mother was 16 when she had her, the first of 12 children. She and Aweng’s father had fled their home in Sudan as war broke out. “Kakuma was a place that no-one knew about,” says Aweng, almost in disbelief two decades later. “We didn’t even know anything existed beyond it – other cities, other countries, other languages. We lived in a bubble.”

An adventurous child, Aweng spent most of her time climbing trees and chasing chickens, which is how she got her scars. “We still laugh about it as a family,” she says. “The whole thing could have been avoided. I could have run another way.” She wouldn’t change a thing about them. “They are part of who I am. I had it instilled in me from a young age that my scars made me beautiful. They were normal in my culture. They’re seen as a sign of coming of age or becoming a woman.”

Things changed, however, when the family moved to Australia, when Aweng had just turned seven. “What had made me beautiful before in my culture was now making people call me ‘ugly’,” she sighs. “So I had a very conflicted perception of beauty when I was a kid.” Undeterred, she put on a tumeric facemask most mornings and wore it into school, owning her difference. “I was like, ‘You think I’m ugly, well now I’m going to wear this facemask and you can’t stop me.’ And that’s why my skin still glows today,” she laughs.

“I was the only African female in my entire school. I began to think I must be ugly. I didn’t look like the next person. The next person didn’t look like me.” There weren’t that many women who looked like her in mainstream media, either. It was only when she saw Lupita Nyong’o in 12 Years A Slave that she realised there was a place for people who looked like her, that women with dark skin could be considered beautiful. Until then, though, the only time she felt beautiful was when her dad told her so. “You are the most beautiful person alive, you’re perfect,” he’d say. But when her father passed away, aged 15, she didn’t really have a reason to believe it. After months of hating her own existence, Aweng finally turned to her mother. “I was like to my mum, ‘You have to step into my dad’s shoes now and tell me everyday that I’m beautiful.’ I needed someone to be like, ‘You got this’. Everyone assumed I was a grown up by age seven, because there were other kids to worry about. But you can’t forget that your eldest child needs support, too, no matter how intelligent or independent she seems.”

Aweng was working at a local McDonald’s in Sydney when she first got scouted to be a model. Fearing that at 16 she was too young, she made a pact with her mother that if it was meant to be, she’d give it another ago aged 18. Two years later, she was scouted again. By this point in her life, Aweng had finally come to terms with accepting her unique beauty, but working in the modelling industry, which has only recently begun its path towards a more inclusive and diverse casting agenda, brought with it a fresh set of challenges. “At first I didn’t feel accepted,” she says. “I felt as if I was a token. It wasn’t just that I was the only dark skinned female, I was the girl with the scars on her face. I had clients that I’d dreamt of working with for years come up to me and say, ‘We only want to use this side of your face because of your scars’. They didn’t even see me as a human. They only wanted parts of me.”

In the short year that she’s been a model, Aweng has walked for Vetements, Pyer Moss and a handful of independent New York labels, appeared in presentations for MM6 and Sadie Williams, graced the pages of Dazed, Nylon and Dansk, worked with rising photographer Tyler Mitchell, and collaborated with stylist Ib Kamara on a shoot for Burberry. “I’m a lot happier now,” she laughs. “I’ve accepted that even though people were fetishising my beauty, they were appreciating it.

Off the catwalk and away from the cameras, Aweng is busy studying two degrees, Politics and Psychology, at the University of New England in Australia. “My goal in life is to be the first female President of South Sudan. I feel like I’m needed over there, I don’t know if you’ve noticed but we’re in a crisis,” she laughs. “It’s time for millennials to take over. Now, not in 10 years time. It’s messy right now, imagine in 10 years time.”

Her studies in psychology, however, are purely for pleasure, although they’ve put her in good stead for navigating her way through the political minefield of the fashion industry. “I work in an industry where you’re constantly surrounded by people 24/7, so it helps when you understand how different people work. Everybody is different. It’s ok to be different.” She’s also a keen activist, posting regularly about the refugee crisis as well about LGBTQIA issues (she identifies as bisexual). “I am very vocal,” she says. “The more vocal I am, the more I become known as more than just a model, more than just a scar, more than having a 36-year-old mother or 12 siblings.”

When asked how she sees herself, however, she sums it up perfectly. “I see myself as someone I wish I saw when I was younger. As someone who has grown a lot and who grows everyday. I am my own hero.”

Suspiria Stars Enchant on the latest issue of AnOther

Something wicked this way comes with Another Magazine‘s tribute to horror classic Luca Guadagnino’s, Suspiria. Far from their witches’ coven, talent Tilda Swinton, Dakota Johnson, Mia Goth and Chloe Grace Moretz match the occult with the embellished as they’re captured through the lens of the photography elite. The tremendous legacy of Yohji Yamamoto is also explored and shot by David Sims as assorted new faces like cover star Martina Boaretto Giuliano, Lila Grace Moss, and Rebecca Leigh Longendyke mix with the establishment of Mame Thiane Camara, Hana Jirickova and Luna Bijl to perform their own ritualisting primping.

See more of the story below and be sure to pick up a copy of AnOther on newsstands now.


Photographer – Collier Schorr | Stylist – Katie Shillingford | Model – Chloe Grace Moretz




Photographer – Viviane Sassen | Stylist – Katie Shillingford | Model – Mia Goth



Photographer – Craig McDean | Stylist – Katie Shillingford | Model – Dakota Johnson



Photographer – Willy Vanderperre | Stylist – Olivier Rizzo | Model – Tilda Swinton



Photographer – David Sims | Stylist – Katy England | Model – Martina Boaretto Giuliano



Photographer – David Sims | Stylist – Katy England | Model – Mame Thiane Camara



Photographer – David Sims | Stylist – Katy England | Model – Rebecca Leigh Longendyke



Photographer – David Sims | Stylist – Katy England | Model – Veronika Kunz



Photographer – David Sims | Stylist – Katy England | Model – Niko Riam



Photographer – David Sims | Stylist – Katy England | Model – Othilia Simon



Photographer – David Sims | Stylist – Katy England | Model – Dree Hemingway



Photographer – David Sims | Stylist – Katy England | Model – Leah De Wavrin



Photographer – David Sims | Stylist – Katy England | Model – Aurora TalaricoAurora Talarico



Photographer – David Sims | Stylist – Katy England | Model – Betty Belle



Photographer – David Sims | Stylist – Katy England | Model – Martina Boaretto Giuliano