As fashion’s foremost purveyor of nomad chic, Hans Feurer‘s images are unmistakable. Though his body of work is diverse, the pictures that stand out most tend to feature a series of Feurer signatures; layered undone styling, exotic locations and bold tribal makeup. Look at his latest stories for Vogue Paris and Vogue Japan respectively and you’ll see all the trademarks of his aesthetic. VP’s Karmen Pedaru story goes for a harder edge, while his images of Constance Jablonski are all about highlighting her refined beauty, but both stories hinge on variations of the same idea. Take a glimpse back at Feurer’s work over the years and see how he developed the style he’s now known for.
2012 – Karmen Pedaru for Vogue Paris
2012 – Constance Jablonski for Vogue Japan
2011 – Jourdan Dunn for Vogue Paris
2011 – Natasha Poly for Vogue Paris
2010 – Tony Ward for GQ Style Germany
2008 – Erin Heatherton for Muse Magazine
2008 – Scott Barnhill
2007 Jessica Miller for Self Service no. 27
2001 – Erin Wasson for Vogue Paris
1991 – Beverly Peele for Elle France
1983 – American Vogue
1983 – Kenzo
Jourdan and Constance look marvelous!
nice set of images. i wish they included the early 70s work for nova that caroline baker had styled – since she helped to develop this aesthetic.
http://www.filepmotwary.com/motwary/2012/05/interview-hans-feurer-talks-to-filep-motwary.html
the use of hans feurer has been the best thing about vogue paris since alt took over
I also used to shoot with a 600mm lens in the 80’s. Many of us did. Hans was the premier user of this lens but it was very popular. He also went through a time when the look was “dated” and more and more photographers were shooting 2 1/4 format. Almost everything comes back around again.
However, that said much of the look of his work isn’t just about the camera and lens it’s the styling and hair and make-up as well and the energy of the models.
Love Karmen on VP. Exotic works.
SHE IS HOT, BEAUTIFUL FACE AND BODY LOVE TO SEE HER IN VEGAS.
1983 – American Vogue: The second girl is MARPESSA? I can be wrong.
Wow, there are photographers that still keep film resemblance in their photos… I can still see pours in the skin. Thank you for still keeping it true! Continued success!
Photoblue
wow! I am so happy to see those early amer vogue blade runner issey miyake images, well done!
genius
Amazing work! Love it! <3