Although the photography trade shows are featuring the hottest in digital imaging equipment, such as filmless cameras and electronic printers (darkroom? what's a darkroom?), many of today's photographers are still opting for their Leicas and 24hour film labs. It seems that the advanced technology is there and is widely used by magazine art directors to manipulate photographic images (remember Mirabella's computer generated cover model, who was merely a compilation of several photographic images scanned in and merged together to create a face that didn't really exist-), but at this stage, there is still a lot of refinement needed before the big take-over (where film and processing are eliminated), if there is one. For now it remains much easier to have a photographer capture an image on film than a graphic artist to create one solely on the computer. |
Meier believes that when photographers know they can digitally manipulate their images, this affects the nature of fashion photography. "If there are imperfections when you are shooting, you know that you can fix them later. This gives you more freedom. At the same time, however, this can be dangerous, because you could start to work sloppy and think 'well, I don't have to worry about her chipped nail polish, the dirty background paper, or the lighting, because I can fix it on the computer.' This could lead to laziness and that's not what photography and computer technology is about. It is about working harder at a vision by using a new tool." |