Mariano Vivanco


Other credits: Art Director, Director




Peruvian born photographer Mariano Vivanco, grew up in New Zealand, where his passion for photography took flight. Inspired by the likes of Edward Steichen and Horst, Mariano moved to London in the year 2000 to pursue his passion for Fashion photography.

Since then, Mariano has become one of the World’s leading editorial photographers, as recognized by the Business of Fashion’s Top 500 people shaping the global industry of Fashion.

Often in black and white, his portraits, nudes, and editorial work (in both menswear and womenswear) apply the principles of pure photography; using simply light and shade, Mariano renders visible the natural spirit of the sitter.

Mariano has published several books, including “Ninety Five Chapel Market”, which is a great example of his daylight portraiture work shot with film. Three of his portraits, including one from this book, are in permanent collection at the National Portrait Gallery in London.

For a full biography, please visit


Madame X
Muse Magazine (Editorial)
published: December 2011
Gold Suzdal
Vogue Russia (Editorial)
published: December 2011
Dolce Vita
Vogue Espana (Editorial)
published: November 2011
In The Woods (also w/ model Billy Strato...
DSECTION Magazine (Editorial)
published: November 2011
Portraits Mariano by Charles Quiles
Portrait (Other)
published: November 2011
Maryna by Mariano Vivanco
Vogue Russia (Editorial)
published: November 2011
Daria and Vladimir by Mariano
Vogue Russia (Editorial)
published: November 2011
Model #1
Attitude Magazine (Editorial)
published: November 2011
Attitude November 2011 Cover
Attitude Magazine (Magazine Cover)
published: November 2011
Bianca Suarez By Mariano Vivanco
Interview Magazine (Editorial)
published: October 2011

Mariano Vivanco in the news: MDX

Mariano Vivanco
Oct 30 09 Of the Minute

Major Crush
Sep 10 10
Dashing Josh
May 19 08 Daily Feed

Just One Look
Apr 11 14
Yves Forever
Mar 17 14
Luss is More
Nov 13 13
Femme Factor
Oct 1 13
Sep 19 13
The Muses
Sep 14 12

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