Of The Minute
October 30th, 2014 by Janelle
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Vita Sidorkina & Madison Headrick bringing the cute! / Photos by Masha Maltsava

Halloween is tomorrow but the beauties of The Society Management (New York) are one step ahead! Last night the girls got together for a good ol’ fashioned pumpkin carving contest. Using emojis as a starting point Bhumika Arora, Ashley Smith, JiHye Park, Louise Parker, Madison Headrick, Manuela Frey and Vita Sidorkina took to the cutting block to create unique jack-o-lanterns all in the spirit of holiday fun. Take a look behind the scenes of the ultra-cute event and head on over to Instagram to vote for your favorite!

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Bhumika Arora

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Ashley Smith

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The girls at work!

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Manuela Frey

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JiHye Park

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Madison Headrick

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Manuela Frey

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Face time!

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JiHye Park

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Ashley Smith

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Louise Parker

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The finalists!

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Vita Sidorkina

October 30th, 2014 by models.com
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Be fierce this Halloween! #MDCGRAM directed by Kloss Films starring Dalianah Arekion

October 28th, 2014 by models.com
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Eian Scully @ Soul & Hugo Barbosa @ Wilhelmina / Photos by Casey Vange for Models.com

Some fashion shows are all about the outlandish clothes, while others provide over the top sets or a larger than life atmosphere – all well and good but sometimes you just want to see something focused entirely on the beauty of a perfect physique. Underwear label 2(x)ist gave fans of the male form something to cheer about last week with a stripped down fashion show that went back to basics. With rock hard abs and chiseled pecs on display everything else was an afterthought and that suited guests just fine. When there is a handsome guy looking his best in bright activewear or logo-printed skivvies who could ask for more?

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Isha Blaaker @ Soul, Ronald Epps @ Wilhelmina, Deric Mickens @ Soul

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Adam Caldera @ Ford

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Bart Grzybowski @ Soul, Ronald Epps @ Wilhelmina

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Eian Scully

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Deric Mickens

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Krit McClean @ One

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Eme Chang Vergara @ Wilhelmina

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Isha Blaaker @ Soul

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Tobias Lewis @ Q

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Emilio Flores @ Soul

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Ronald Epps @ Wilhelmina

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Deric Mickens @ Soul

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Bart Grzybowski @ Soul / Ronald Epps @ Wilhelmina

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Emilio Flores @ Soul

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Deric Mickens @ Soul, Bart Grzybowski @ Soul

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Josh Button

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Francesco Brunetti @ One.1

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Thor Bulow @ Soul

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Kevin Sampaio @ Wilhelmina, Emilio Flores @ Soul / Photos Casey Vange for Models.com

October 27th, 2014 by Janelle
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A monochromatic splash of color on eyes and lips / Try Make Up Forever’s Aqua Cream in No. 8

The always alluring color is back in a big way with a variety of looks that expand on crimson’s capacity for chic. Eyes, cheeks and lips can all look exquisite with the right shade of red.


Photos by Julia Chesky for Models.com
Model Jasmine Sanders at The Society Management (New York)
Hair Isaac Davidson at Wilhelmina Artists
Makeup Paul Venoit
Production Kegan Webb
Beauty Editor Janelle Okwodu

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The deepest reds provide a touch of gothic beauty especially in creamy textures / Try Lipstick Queen’s Made It, a deep wine

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The classic glossy red lip is especially modern when worn with a fresh face and little else / Tom Ford’s Crimson Noir is the perfect cream

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Matte is back! Nothing says vintage glamour than a cherry matte lip / Illamasqua Lipstick in Maneater packs a punch


ESSENTIALS

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The ideal vintage matte – Illamasqua Lipstick in Maneater packs a punch / The edgy all-purpose crimson – Make Up Forever’s Aqua Cream in No. 8 / The gothic red – Lipstick Queen’s Made It / The ultimate red experience – Serge Lutens’ Lip Palette in Red

October 21st, 2014 by Janelle
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Perfect skin and a subtle rosy shade on the eyes / Try Chanel Illusion D’Ombre in Emerveille

If there was one look that reappeared again and again on this season’s runways it was the no-makeup look. Though looking fresh scrubbed and bare faced is appealing, it is also easier said and done. Though some truly roll out of bed flawless there are a million tips, tricks and products out there to help create (or fake) perfect skin. As theses striking images of Hélène Desmettre by Pablo Ravazzani illustrate, this modern, minimal look is perfection.

Photographer: Pablo Ravazzani
Make-up & Hair: David Tibolla at Celestine Agency for Chanel Beauté
Model Hélène Desmettre at IMG (New York)

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Pristine skin like Helene’s is often the result of good genes, but skincare, diet and exercise can make a world of difference.

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The sheerest wash of metallic color on the lids is all that is needed / Try NARS Dual Intensity Eyeshadow in Himalaya

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ESSENTIALS

Dr. Jart Pore Medic Cleansing Bubble
$32 at Sephora $32 at Sephora

Good genes help, but the right cleanser can make a world of difference. Right now we’re feeling the bubbly, paraben-free version from esteemed Korean brand, Dr. Jart. The deep cleaning foam Good genes help, but the right cleanser can make a world of difference. Right now we’re feeling the bubbly, paraben-free version from esteemed Korean brand, Dr. Jart. The deep cleaning foam

Dermalogica Gentle Cream Exfoliant
$40 at Dermalogica $40 at Dermalogica

Traditionally exfoliants scrub away dead skin with micro-beads or other gritty substances, but Dermalogica takes a different approach using Lactic and Hydroxy Acid to unclog pores and remove residue left behind from makeup. Traditionally exfoliants scrub away dead skin with micro-beads or other gritty substances, but Dermalogica takes a different approach using Lactic and Hydroxy Acid to unclog pores and remove residue left behind from makeup.

Bobbi Brown Lip Balm

$19 at Bobbi Brown $19 at Bobbi Brown
Who better than fashion’s queen of the nude lip to create the perfect lipbalm? Bobbi Brown’s formula is creamy without ever feeling greasy and that classic silver tin adds a bit of vintage glamour to the utilitarian balm. Who better than fashion’s queen of the nude lip to create the perfect lipbalm? Bobbi Brown’s formula is creamy without ever feeling greasy and that classic silver tin adds a bit of vintage glamour to the utilitarian balm.

Verso Night Cream
$100 at Barneys New York & Sephora $100 at Barneys New York & Sephora

A restorative cream as thick and rich as befits a luxury line, but its the collagen boosting properties that keep us coming back for more. Verso’s paraben and sulfate free skincare is great for even the most sensitive skin and the Stockholm based brand backs up every product with a double-blind research.

Shiseido Urban Oil Free UV Protector
$30 at Shiseido $30 at Shiseido
Everyone ought to be applying sunscreen of some form to protect themselves from UV rays and Shiseido’s option is especially chic with its glossy white packaging and pocket sized proportions. All that style doesn’t make for a lack of substance – the SPF 40 formula goes on smooth and provides maximum coverage. Everyone ought to be applying sunscreen of some form to protect themselves from UV rays and Shiseido’s option is especially chic with its glossy white packaging and pocket sized proportions. All that style doesn’t make for a lack of substance – the SPF 40 formula goes on smooth and provides maximum coverage.

October 20th, 2014 by models.com
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You might know Jeremy Kost (Jed Root) from his photographic collages, from his heavily-trafficked Instagram, or his signature hairstyle, but you definitely don’t know him from his latest work, a lush, powerful selection of multiple-exposure Polaroids now making their first appearance collected in his latest book, Fractured, out later this month. The new images, which blend Kost’s signature masculine nudes with gentle landscapes and harsh neon signage, have been edited down from a nearly four thousand photographs he took over the last three years as part of this secret project, which marks an audacious and bold step forward in his artistic development. The images are explicit, yes, but also intimate and raw, a byproduct of his mix of recognizable names like Garrett Neff (who contributes a personal foreword), Chad White, James Lasky, and Seth Kuhlmann with undiscovered guys cast from Instagram. In an exclusive interview with Models.com, Kost opens up about his aesthetics, his process, and the very personal meaning of his new body of work. (Interview by Jonathan Shia)

Kost will be signing copies of Fractured tomorrow at Bookmarc in New York.

MDC: How did you come up with the idea of doing multiple exposures?

Jeremy Kost: It really happened by mistake. Maybe three years ago, a Polaroid got stuck in the camera in the studio and I made the next frame immediately over it and serendipitously came up with this layered, beautiful image that I was really excited about. I started playing around and figuring out the process and how it worked and how to really push that process. As evident in the collages and different bodies of work that I’ve done, I’m really interested in pushing the Polaroid medium beyond what I’ve been doing from day one. That’s really where it started, and that’s part of the impetus for where it’s gone.

In the end, I’ve always thought about myself as an artist and not a fashion photographer. I never wanted to be a fashion photographer, and I get bored really easily. I can’t shoot in my apartment anymore because I’ve shot it to death, I can’t shoot in a studio because a white wall to me is completely uninteresting. So when that happenstance came about, it opened up a whole new world of possibility for me to reinterpret all those things that had been monotonous before. All these locations that I felt like I’d shot to death, all of a sudden, had a whole new life. It was really exciting, and I felt like people have done multiple-exposed images for years, but I’d never seen it done coherently as a body of work. So for me it felt like I could do something that was really fresh and was uncharted territory in a way.

MDC: Where did the title come from?

JK: Coming up with a title is one of the hardest things I’ve ever had to do. We went back and forth with this one, and finally I landed on Fractured, which for me represents a lot of different things. First, it’s a really aggressive word, this aggressive, hyper-masculine sense of breaking. In a sense, it goes back to this idea of fractured dreams, fractured memories, fractured desires, fractured hopes, lust, whatever. At three o’clock in the morning, I could be the most inappropriate person on earth, but when I’m working, I’m really working. My hands are to myself, my comments are to myself, I’m hyper professional. As a result, the art really becomes about these fractured desires and this fractured distance. It becomes the closest I’m going to have to that interaction physically, for all intents and purposes. Specifically, it’s really about this identity of a broken facade, these disjointed memories, these disjointed desires, in a very visceral way.

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Shayne Davis (IMG)

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Matt Williams

MDC: How do you hope this new project changes the perceptions people have of you and your work?

JK: I hope that they start to see it as art, and not just pictures of dudes. The male as a subject for me has a lot of personal layering to it, both having been 250 pounds and closeted growing up in Texas, having been in denial to myself until after college, and then continuing to grow as who I am. I still have massive body issues and probably will until the day I die, no matter if I have a body like Garrett’s or I continue to struggle. Hopefully, when people look at this work and read the corresponding text in the book, they can perceive that there’s more to the work than simply what’s on the surface and that there are all these conceptual underpinnings that have nothing to do with the fact that it’s this beautiful naked guy, and that there’s more to it from both a conceptual place and a place of intimacy as a constructed image.

MDC: Speaking of Garrett, why did you pick him to write the foreword?

JK: He and I have known each other for seven years now. We met when we were both were starting out in our various lives, but we have maintained our friendship and have collaborated on a number of projects over the last couple of years. In my first book, the director of the Andy Warhol Museum wrote a text, and then Ladyfag wrote a piece, so I thought it was interesting to have somebody who was writing with a more critical perspective, and then somebody who’s in the work and has a more popular perspective. In the end, Garrett has a pretty decent portion of the book, and he’s also in some of the more personal images. Glenn O’Brien and Franklin Sirmans, who’s a curator at LACMA, also contributed texts, so it was nice to have three straight men writing about the work.

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Zach Boyers (Two Management)

MDC: What was the casting process like? What were you looking for in the guys you selected?

JK: When I first started shooting guys in 2001, most of them were dudes whom I met in a bar or wanted to sleep with or whatever, but when I decided to start doing more, I started finding guys through Manhunt and MySpace and all these alternative casting sources. I have a very specific casting æsthetic, it’s very much the Bruce Weber boy next door. As I’ve been working more and more with agencies, I’ve lost some of that thing where it’s just two people making art, without a third person’s opinion or somebody flipping out or any sort of drama. It’s just two people making shit that they’re both excited to make and are both comfortable making. That’s preface to the question, but a lot of the guys come through Instagram. Some contacted me out of nowhere, most of them I contacted, but I really love using Instagram as a casting vehicle, because you can find exceptionally beautiful guys that don’t have the baggage and also, frankly, aren’t show ponies. They’re not trained, so actually you end up getting a more honest image rather than a character, which I think is really interesting too. Everyone that I shoot, we have a conversation about the work and the expectations. I tell them I’m going to make pictures that they can use for Instagram or whatever, but the art, the nude stuff, stays off websites until it’s in a more sophisticated context. I have that same conversation whether you’re with IMG or whether you’re from Instagram. For me, that consistency and transparency is super, super, super important, and what I try to do is lay everything out so that everyone involved can make an educated decision about whether it’s right for them.

MDC: How did the works with the neon signs come about?

JK: I made the first one about a year ago. I snapped a “We Buy Gold” sign on the Lower East Side and then I layered it with a guy I was shooting, thinking, “Maybe this could work.” It was a pure experiment, and it totally worked, and before I knew it, I started looking at text and language and seeing it everywhere. I like the contrast of these guys in these largely rural places with the neon, which is largely urban in context. I think that push and pull is really interesting, and it also asks the question of what it means to take language out of context. Some of it’s meant to be a bit funny, some of it’s meant to be a bit sexual. I’m really excited about them. There’s such a rich history of language in contemporary art, so it sort of has a dialogue with Jack Pierson and Bruce Naumann and Barbara Kruger, some artists that I really respect.

MDC: Some people might classify your work as having a “gay” æsthetic. What is your response to that categorization?

JK: Look, any time there’s a naked guy, it’s considered homoerotic, whether it’s made by a straight man, a woman, or a gay man. Everybody wants to put things in a box so that they can understand them. Fine, I’m not offended by it. If you want to put it in that box, by all means. I certainly don’t make it with that intention. Sure, it’s about the male gaze, there are equal parts desire and lust as well, but there’s a lot more to it about identity, facades, physicality, transformation, all those things that, for me, are equally important, if not more important, than the desire aspect of it. So if that’s how somebody wants to perceive it, I’m not offended. It’s not how I look at it, but it is what it is. So long as somebody’s considering the work, that’s what’s most important to me.

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James Lasky

October 17th, 2014 by models.com
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Alexander Wang x H&M Fashion Show from models.com on Vimeo.

If there is one designer in New York who knows how to throw a party it is Alexander Wang so when the king of downtown paired up with H&M they couldn’t launch their collaboration with a simple cocktail party. Bigger is better and Wang took the fashion set way uptown to Armory on the Hudson for a larger than life bash. The track & field complex was transformed into a sport-chic venue for the athletic influenced collection that debuted with a top model filled fashion show. If that isn’t enough excitement for you Wang had one more surprise under his sleeve, the return of hip hop icon Missy Elliot to the stage for a special concert. Watch the show above and take a look at the gorgeous faces on the runway and in the front row as you get ready for the collection to hit stores November 6th.

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Brian Shimansky / Image Credit Randy Brooke / Stringer / Getty Images

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Constance Jablonski / Image Credit Randy Brooke / Stringer / Getty Images

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Tyson Beckford / Image Credit Randy Brooke / Stringer / Getty Images

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Models strutting down the Armory during the show’s finale / Image Credit Randy Brooke / Stringer / Getty Images

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Natasha Poly and Joan Smalls lead the pack / Image Credit Randy Brooke / Stringer / Getty Images

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High flying acrobatics courtesy of parkour performers / Image Credit Randy Brooke / Stringer / Getty Images

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Missy Elliott / Courtesy Image

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Mary J Blige / Courtesy Image

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Margareta Van Den Bosch & Alexander Wang / Courtesy Image

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Kate Mara / Courtesy Image

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Jessica Chastain / Courtesy Image

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Justin Theroux / Courtesy Image

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Dakota Fanning, Eddie Redmayne, Kate Mara / Courtesy Image

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Dakota Fanning / Courtesy Image

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Alexander Wang & Solange Knowles (Next Models NY) / Courtesy Image

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Missy Elliott’s surprise performance thrilled the audience / Courtesy Image

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Missy Elliott / Courtesy Image

 

October 16th, 2014 by Janelle
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choupette

In keeping with her habit of doing about 10x more than the average human, cat about town Choupette Lagerfeld launches her beauty collection with Shu Uemura this week / STYLE.COM

Perfume oils rise in prominence with lines like Malin & Goetz, Diptyque, Tom Ford and Byredo all jumping on the scented oil bandwagon / NY TIMES

In NYC? Need a beauty fix? Newly launched beauty label, Glossier’s pop up shop is at 123 Lafayette Street from now until November, stop in and get your beauty fix! / INTO THE GLOSS

Business of Fashion explores the branding strategy of Sephora, detailing the creation of Marc Jacobs’ beauty line and what LVMH has in store for beauty next / BOF

Ever wonder how zombies look so cute? Probably not but Allure’s rundown of makeup secrets from the set of The Walking Dead is downright fascinating and just in time for Halloween! / ALLURE

Everyone’s favorite model turned media mogul, Tyra Banks is branching into beauty with her eponymous line, TYRA, she speaks to the Daily News about her brand’s unique concept and her entrepreneurial spirit.

Fresh from the publication of her new book, How to Be Parisian Caroline de Maigret shares her makeup routine and why she thinks American’s are in love with the idea of Parisian beauty. / THE CUT

October 15th, 2014 by models.com
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Directed by Kloss Films starring Sean O’Pry

October 14th, 2014 by Janelle
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Karl Lagerfeld, Gisele Bundchen & Baz Luhrman at the Chanel Dinner Celebrating Baz Luhrman / All Images credit Joe Schildhorn / Billy Farrell Agency

Gisele + Chanel – a match made in heaven and the perfect combination to extol the virtues of the label’s classic No. 5 fragrance. Last night Karl Lagerfeld and crew gathered to celebrate director, Baz Luhrman a frequent collaborator and the mind behind Chanel’s latest film, “You’re the One that I Want.” Who better than the director of Moulin Rouge and The Great Gatsby to bring a bit of pomp and circumstance to the world of fashion film! Guests were treated to the film’s premiere as well as a performance by Lo-Fang who’s cover of the Grease classic You’re the One that I Want features throughout. Naturally the Chanel set came out in droves last night to pay tribute to Luhrman at the ultra-luxe private dinner, but with evening’s irresistible combination of Chanel, caviar and cinema who wouldn’t?


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Karl Lagerfeld, Baz Luhrman & Catherine Martin at The Chanel Dinner Celebrating Baz Luhrman

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Baz & Gisele Bundchen at The Chanel Dinner Celebrating Baz Luhrman

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Soo Joo Park at The Chanel Dinner Celebrating Baz Luhrman

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Peter Brant & Harry Brant at The Chanel Dinner Celebrating Baz Luhrman

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Vanessa Traina (Management + Artists) at The Chanel Dinner Celebrating Baz Luhrman

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Karlie Kloss at The Chanel Dinner Celebrating Baz Luhrman

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Jamie Bochert at The Chanel Dinner Celebrating Baz Luhrman

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Pauline Hoarau & JiHye Park

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Toni Garrn at The Chanel Dinner Celebrating Baz Luhrman

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Lexi Boling at The Chanel Dinner Celebrating Baz Luhrman

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Ming Xi at The Chanel Dinner Celebrating Baz Luhrman

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Gigi Hadid at The Chanel Dinner Celebrating Baz Luhrman

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Lily Aldridge at The Chanel Dinner Celebrating Baz Luhrman

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Leigh Lezark at The Chanel Dinner Celebrating Baz Luhrman

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Poppy Delevingne at The Chanel Dinner Celebrating Baz Luhrman

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Julia Restoin-Roitfeld

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Nadja Bender at The Chanel Dinner Celebrating Baz Luhrman

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Catherine McNeil at The Chanel Dinner Celebrating Baz Luhrman

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Sunghee Kim at The Chanel Dinner Celebrating Baz Luhrman

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Giovanna Battaglia

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Sigrid Agren at The Chanel Dinner Celebrating Baz Luhrman

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Lily Allen (The Society Management) at The Chanel Dinner Celebrating Baz Luhrman

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Caroline de Maigret at The Chanel Dinner Celebrating Baz Luhrman

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Lily Donaldson at The Chanel Dinner Celebrating Baz Luhrman

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