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Double Debut

January 6th, 2014 |Posted by Janelle

One of the last season’s most compelling new beauties was the lovely Imaan Hammam, a Givenchy exclusive who opened Tisci’s dazzling S/S show and captured our attention with her graceful presence and unique look. In the months since Imaan has been showing up in all the right places, particularly in the pages of American Vogue where she headlines not one but two stories in the January issue. Posing alongside Liya Kebede in Mikael Jansson‘s tropical escape editorial and showing a completely different side in Craig McDean‘s chic collections story.

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Ph. Mikael Jansson | Fashion Editor – Camilla Nickerson (Art Partner) | See the full story in the database

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Ph. Craig McDean | Fashion Editor – Grace Coddington

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For more from the latest issue of Vogue, be sure to visit Vogue.com

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Posted in: General news

Editorial Inspiration : Rear Window

March 20th, 2013 |Posted by Janelle

Hollywood costumer Edith Head’s legendary collaboration with filmmaker, Alfred Hitchcock is one of the most enduring fashion reference points. Head’s costumes with their luxurious detailing and elegant shapes were the ideal compliment to Hitchcock’s sophisticated heroines and together they shaped the iconic “Hitchcock Blonde” look. The duo worked together on nearly a dozen now classic films – Vertigo, Marnie, Notorious, To Catch a Thief, just to name a few and the legacy of those pictures has influenced everyone from Alexander McQueen to Bill Gayten.

The latest industry power player to find inspiration Head / Hitchcock is none other than Vogue Creative Director, Grace Coddington, who creates an impressive take on Rear Window’s 50s style fashions using the season’s key pieces, with the regal Carolyn Murphy filling the shoes of Grace Kelly and actor Tobey Maguire in the Jimmy Stewart role. The story shot by Peter Lindbergh recreates the atmosphere of L.B. Jeffries’ apartment down to the last detail, but gives things a Vogue twist. Ladylike pieces from Marc Jacobs, Oscar De La Renta and Miu Miu are mixed perfectly for a wardrobe that is steeped in vintage glamour, yet keeps its modernity. Carolyn certainly captures the All-American elegance of Grace and even though Tobey Maguire isn’t our first choice for a Jimmy Stewart substitute, this story still has all the charm & intrigue of a Hitchcock flick. 

VIEW THE FULL STORY ON VOGUE.COM

TAKE A LOOK BEHIND THE SCENES AT GRACE CODDINGTON’S PHOTO DIARY 

THE INSPIRATION: Rear Window

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THE EDITORIAL: Window Dressing

Photographer: Peter Lindbergh
Fashion Editor: Grace Coddington
Models: Carolyn Murphy & Tobey Maguire
Hair, Didier Malige
Makeup, Stéphane Marais.
Set design, Viki Rutsch for Exposure NY
Produced by Ricardo D. Martins for North Six.

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All Images Courtesy of Vogue  - for more on the April issue check out Vogue.com

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Posted in: General news

Past Meets Present: The Mod Moment

January 23rd, 2013 |Posted by Janelle

By its very nature, fashion is in a constant state of change, but the industry has a way of rehashing the past every few seasons with collections that draw inspiration from key moments in fashion’s history.  Nostalgia was the predominant fashion mode of the aughts, and it saw  designers revisiting everything from 1920s flapper fixtures, to ’80s powerdressing and (gasp) ’90s grunge redux. We may have just entered into 2013, but when it comes to manufacturing clothing that looks awfully similar to styles that could have been worn generations earlier, designers show no signs of stopping.

Case in point, S/S 13′s mod moment, which saw a wealth of graphic prints invading the runway. Checks, stripes, and houndstooth patterns  made appearances on the runways of labels like Marc Jacobs, Louis Vuitton, Prada, Michael Kors and Dolce & Gabbana, offering a pleasant alternative to spring’s tried-and-true florals and providing a bit of deja vu. Granted, these design elements are timeless, but fans of ’60s style will recognize the cuts and patterns that make up these new designs as the hallmarks of mod innovators. Take a look at  the work of Pierre Cardin, Mary Quant, André Courrèges, and Ossie Clark,  and you can’t help but see where Marc Jacobs and co. took their lead from.

With the very same designs getting major play in the pages of this month’s magazines, editors have been showcasing these looks in a variety of ways. Most choose to play up the retro appeal inherent in these collections by creating stories reminiscent of days past: what says ’60s more than an angular Vidal Sasson bob or an oversized bouffant? Others focus in on the graphic element, shooting the pieces against white backdrops and playing up the contrast.

 

PAST

Designer Ossie Clark and one of his creations

Models in Who Are You Polly Magoo, 1966

Houndstooth Coat, Ph. Art Kane, 1966

Designs by Andre Courreges,


PRESENT

Vogue Japan | Ph. Emma Summerton | Styling Patti Wilson | Model Aymeline Valade | Makeup Dotti


American Vogue | Ph. Steven Klein | Styling Grace Coddington | Models Carolyn Murphy and Karen Elson


Harper’s Bazaar | Ph. Greg Harris | Stylist Tony Irvine | Model Marte Mei van Haaster | Hair Akki Shirakawa | Makeup Pep Gay

Marte Mei van Haaster in Louis VuittonMarc Jacobs and Michael Kors


Harper’s Bazaar Spain Ph. Txema Yeste | Styling Melania Pan | Model Ginta Lapina | Hair Olivier Lebrun (See Management) | Makeup Christopher Kam

Ginta Lapina in Louis VuittonDolce & Gabbana & Michael Kors


Vogue Japan Ph. Victor Demarchelier (Paris: Management + Artists, New York: Management + Artists) | Styling Sabino Pantone | Model Jessica Stam | Hair Didier Malige | Makeup Adrien Pinault (Paris: Management + Artists, New York: Management + Artists)

Stam inLouis Vuitton & Acne


Vogue China Ph. Daniel Jackson | Styling Nicoletta Santoro | Models Kel Markey, Agnés Nabuurs, Athena Wilson, Bo Don & Chiharu Okunugi | Hair Yannick D’Is (Paris: Management + Artists, New York: Management + Artists) | Makeup Yadim

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Posted in: General news

State of Grace

November 19th, 2012 |Posted by Janelle

Grace Coddington by Sebastian Kim

On the eve of the publication of Grace Coddington‘s memoirs the famously flame haired fashion editor is everywhere. Pick up a copy of i-D Magazine‘s latest issue and you’ll see her on the cover, head to any news website worth its salt and you’ll find an excerpt from the tasteful tell-all (or just check it out on Vogue.com) detailing the backstory of some epic editorial moment straight from Vogue’s pages.  Indeed it seems we’re living in a state of Grace, so to speak, so what better time to look back on the trademarks of her work – those quintessential details that set her styling apart from everyone else. It would be impossible to go through twenty years of Grace and pick a few editorials that sum up the depth and diversity that make her work great, instead we look to four Coddington calling cards that are certain to appear in every one of her stories; glamour, history, fantasy and humour.


GLAMOUR

It goes without saying that Vogue is a repository for high-glamour imagery, but Grace has always pushed the borders of what that means. It isn’t enough to showcase off the runway looks or exquisite couture, the image has to convey something powerful and iconic.

‘The Heat of the Moment’ – Photographer Ellen von Unwerth, Model Naomi Campbell American Vogue, March 1998

‘High Art’ Photographer - Annie Leibovitz, Model - Natalia Vodianova, American Vogue November 2004

‘Daydreams’ Photographer Steven Klein, Models Daria Werbowy and Natalia Vodianova American Vogue September 2004

‘Talk to Her’ Photographer - Steven Meisel, Models - Joan SmallsCoco RochaKaren ElsonGuinevere Van SeenusCaroline TrentiniLiya KebedeAbbey Lee KershawDaphne Groeneveld, American Vogue 2012


HISTORY

Recreating the look and feel of historical periods with contemporary design has become something of a Vogue standard and when Grace takes on history the end result is always memorable. From haute baroque, to 50s style Brando-chic and 70s style glam rock, her interpretations of the past have always been fresh and dynamic.

‘French Twists’ Photographer - Annie Leibovitz, Models – Lily Cole, Gemma Ward, Gisele Bundchen, Daria Werbowy, Karen Elson, American Vogue May 2004

‘A Feast for the Eyes’ Photographer -Steven Meisel, Models – Kylie Bax, Amy Wesson, Elsa Benitez, Carolyn Murphy, Naomi Campbell, Michelle Behennah, Guinevere Van Seenus, Trish Goff, Chandra North,  American Vogue December 1996

‘Custom of the Country’ photographer Annie Leibovitz, Model Natalia Vodianova, American Vogue August 2012

‘Wild At Heart’ Photographer - Peter Lindbergh, Models – Helena ChristensenCindy Crawford,  Linda EvangelistaClaudia SchifferNaomi Campbell, Karen Mulder, Tatjana Patitz, and Stephanie Seymour, American Vogue 1991

Rock the House, photographer Steven Meisel, American Vogue, November 2001


FANTASY

No one creates a fantastical scenario via clothes quite like Grace does. Her instantly recognizable fairy tale collaboration with Annie Leibovitz has raised the bar for just about everyone by taking the familiar childhood tales and re-imagining them as fanciful fashion moments. Who says Alice can’t fall down the rabbit hole while wearing head to toe Tom Ford? Even with the elaborate sets, mythical allusions and high concept themes, Grace makes you notice the clothes first and foremost.

‘Joy to the World’ Photographer Steven Meisel, American Vogue December 2002

‘It’s a Jungle Out There’ Photographer – Steven Klein, Models – Maggie Rizer, Trish Goff, Oluchi Onweagba, Liisa Winkler, Anouck Lepere, Karolina Kurkova, American Vogue June 2001

‘Garden of Delights’ Photographer -Steven Meisel, Model - Caroline Trentini, American Vogue December 2006

‘Alice in Wonderland’ Photographer - Annie Leibovitz, Model - Natalia Vodianova , American Vogue December 2003

‘Wizard of Oz’ Photographer - Annie Leibovitz, Model - Keira Knightley, American Vogue December 2005

‘Romeo and Juliet’ Photographer - Annie Leibovitz, Model - Coco Rocha, American Vogue December 2008


HUMOUR

A concept that is regrettably missing in most fashion editorials yet always has a place in Grace’s work. Whether it is Stella Tennant leading a troop of boyscouts or Karen Elson starring as Grace herself, there is always that added touch of whimsy that makes her work a delight.

‘A Shot of Scotch’ Photographer - Arthur Elgort, Model - Linda Evangelista, American Vogue September 1991

‘Graceful Elegance’ Photographer - Steven Meisel, Model - Karen Elson, American Vogue August 2008

‘O’ Pioneers!’ Photographer - Arthur Elgort, Model - Stella Tennant, American Vogue June 2001

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Posted in: General news

Double Vision : Dior Couture

October 18th, 2012 |Posted by Janelle

Fashion shows are well and good, but the true test of a collection’s impact is often played out in the editorial pages. When you have multiple editors reaching for the same pieces over and over again you know a designer has hit a nerve. Even when the styling itself isn’t that noticeably different between images, there are always key changes in presentation that separate fashion stories; whether it is the model choice, the manner in which the photographer chose to present the garment, or even something as simple as color vs. black and white, each team puts its own special stamp on things. Take a look at the way in which different magazines have interpreted two of the most popular pieces within the collection and let us know who you think pulled it off best.

Look No. 48  

Black fitted cashmere top with a black duchess satin skirt embroidered with electric blue flowers.

Saskia de Brauw by Daniel Jackson for Vogue Germany, stylist Christiane Arp

Aymeline Valade by Patrick Demarchelier for Vogue Japan, stylist Melanie Ward

Saskia de Brauw by Ruth Hogben for Another Magazine, stylist Katie Shillingford

Karlie Kloss by Eric Guillemain for Sunday Times Style Magazine, stylist Lucy Ewing

Hanaa Ben Abdesslem by Michelle Ferrara for Harper’s Bazaar Arabia, stylist Elaine Lloyd Jones | Suki Waterhouse by Marc Hom for Tatler, stylist Deep Kailey

Stef Van Der Laan by Luca Guadagnino for CR Fashion Book, stylist Carine Roitfeld

 

NiNi in Vogue China / Thana Kuhnen by Marcelo Krasilcic for L’Officiel

Look No. 8

Blue and pink embroidered cut-off ballgown with black cigarette pants

Keira Knightley by Mario Testino for American Vogue, stylist Grace Coddington

Milla Jovovich by Peter Lindbergh for Vogue Italia | Saskia de Brauw by Ruth Hogben for Another Magazine

Dior couture illustration by Ignasi Monreal for Spanish V Magazine

Aymeline Valade by Patrick Demarchelier for Vogue Japanstylist Melanie Ward

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Posted in: General news

Mr. Chow

May 23rd, 2012 |Posted by Betty

GQ China pays homage to the legendary Michael Chow in a super chic story by Blair Getz Mezibov. Marcus Teo styles Tony Thornburg who perfectly channels the famous restaurateur/actor, who became famous in the 70′s and 80′s for his restaurants populated by the likes of David Bowie, Andy Warhol and Jean-Michel Basquiat. Mr Chow has a long time association with fashion, once married to Grace Coddington, then to 70′s fashion icon Tina Chow and currently to Eva Chun. To read more about this fascinating figure in pop culture, click here.

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Blast from the Past: Editors As Models

March 28th, 2012 |Posted by Janelle

Much is said about the relatively short span of most modeling careers. If you’re among the lucky few like Malgosia Bela or Naomi Campbell, you can model for decades, but most people who start their careers on the catwalk find that 15 minutes of fame comes and goes quickly. This isn’t always a bad thing, many move on to bigger and better things; you can’t see a movie without spotting a model-turned-actress and you can’t work on a fashion shoot without stumbling into someone had a modeling moment. Today we take a look at a few of the fashion editors who’ve done their share in front of the camera.

Camilla Nickerson  – Camilla has been styling since the 80s, but back in 1993 she graced the cover of Vogue Italia shot by Steven Meisel and if that doesn’t count for a model moment, we don’t know what does.

Tabitha Simmons - Shoe designer, stylist, Vogue Contributing editor – Tabitha Simmons has got a full plate on her hands, but somehow she found the time to strut down the Balenciaga runway back in Spring/Summer 02 when she was modeling. We have to say that Ms. Simmons looks right at home in those Ghesquière trousers – wouldn’t mind seeing her on back on the catwalk again if she ever gets a moment free!

Julia Sarr-Jamois Wonderland Magazine‘s Fashion Editor is a rising star and a regular on the street style blogs, where she always looks camera ready. It should come as no surprise then that she modeled in her teens in ads for brands like Diesel and Fred Perry, but switched to styling because she wanted to express herself creatively.

Grace Coddington - If you’ve Netflixed The September Issue, you know that Grace began her fashion tenure as a model for 60s superstar photographers like Avedon & Carpatian – see her 1962 Vogue cover below. Her modeling career was cut short by a car accident at 26, but she went on to innovate the industry behind the scenes at British Vogue & American Vogue.

Edward Enninful – When he was 16, Edward was spotted on the train by none other than Simon Foxton, two weeks later he was scouted by a modeling agent! By 17 he was shooting with Nick Knight and introduced to i-D’s Terry Jones – thus began one of fashion’s most prolific and interesting careers.

 

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Posted in: General news

Putting On The Ritz

March 19th, 2012 |Posted by models.com

American Vogue
Tim Walker
Grace Coddington
Kate Moss
Julien d’Ys Stephane Marais

Queen Kate returns to her throne at Paris’ eternal hotspot, The Ritz and she brings along a few friends with her. Walker creates a surreal vision of opulence taking full advantage of the hotel’s regal redesign and all the world’s finest couture. Kate looks majestic and her ladies in waiting, Josephine Skriver, Mirte Maas, Patricia van der Vliet, and Sigrid Agren are a dream. We know J.Lo snagged the cover of Vogue’s shape issue but with a story this good inside, we can’t help but wish Kate was on Vogue’s front page this month instead.

View the full story at VOGUE.COM

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