First Look: Centrefold Issue 10

April 8th, 2014 |Posted by Matthew

When Centrefold Magazine debuted in 2003, the large format glossy was one of a new breed of A2-sized magazines on newsstands. Since then, that market has grown and the team at Centrefold has observed, like the rest of us, the rise of citizen photography and the advent of the smart phone. Thus, for Issue 10, Centrefold commissioned 9 diverse photographers to shoot editorials using only the Nokia Lumia 1020 smart phone. The results are compiled in the upcoming issue, which features a captivating array of content shot all over the world by Tung Walsh, Damon Baker, Eric Guillemain, and many more. Exploring the Beyond—Issue 10’s theme—Centrefold embraces the ever-present smart phone with 5 stunning covers featuring Zuzanna Bijoch, Eliza Cummings, Lily McMenamy, Sam Rollinson and Marcelle Pallais. Go Beyond and take a look at Issue 10 below.

   Sam-Rollinson-Centrefold-Cover

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Sam Rollinson and Eliza Cummings photographed by Damon Baker.

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Lily McMenamy photographed by Tung Walsh.

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Zuzanna Bijoch photographed by Eric Guillemain.

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Saint Laurent shoot by Andrew G. Hobbs.

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Double Vision: Clear Winner

March 27th, 2013 |Posted by Janelle

Transparency was all over the S/S13 runways and as the season draws closer it seems fitting to explore one of its dominant trends. The house whose designs exemplified the look was VALENTINO, where designers Maria Grazia Chiuri and Pier Paolo Piccioli showed a variety of pieces that utilized transparency expertly, revealing skin but keeping the demure sophistication the brand has become known for. Whether they were dazzling with delicate embroidery, or creating a sublime showcase for the body via cutouts, the duo set the standard for diaphanous dressing.

One piece in particular took the look to its logical endpoint and dazzled with its whimsical cheekiness. The PVC trenchcoat embellished with the line’s signature rockstuds has become an editorial favorite, with stylists providing their own take on the Valentino look. The trench lends itself to a myriad of different interpretations and stylists did not disappoint, creating a variety of looks that range from sensual, to avant-garde. When a garment can go from the all out sexy of Missy Rayder‘s powerful image in Numero, to the easy cool on the back of Angela Lindvall it more than proves its versatility.

8backtothedreamy

Vogue Italia - Ph. Paolo Roversi | Styling – Cathy Edwards | Model – Guinevere Van Seenus | Hair – Shon | Makeup – Yadim

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Numero - Ph. Greg Harris | Styling – Elizabeth Sulcer | Model – Missy Rayder | Hair - Holli Smith | Makeup - Benjamin Puckey

6purple

Purple Diary - Ph. Max Snow | Styling - Vanessa Traina (Paris: Management + Artists, New York: Management + Artists) | Model - Iekeliene Stange | Hair - Tamara Mcnaughton | Makeup - Hung Vanngo

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V Magazine - Ph. Sharif Hamza (Cadence New York) | Styling - Tom Van Dorpe (Paris: Management + Artists, New York: Management + Artists) | Hair - Shay Ashual | Makeup - Maud Laceppe

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Vogue Paris - Ph. Mario Sorrenti | Styling -Marie Chaix | Model - Anja Rubik | Hair – James Pecis | Makeup - Yadim

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Elle Spain - Ph. Juan Aldabaldatrecu | Styling - Inmaculada Jiménez | Model - Angela Lindvall |

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Vogue Germany - Ph. Knoepfel & Indlekofer | Styling – Nicola Knels | Model - Maria Bradley | Hair - Rita Marmor | Makeup - Benjamin Puckey

10polinainstyleInStyle UK - Ph. Arved Colvin-Smith | Styling: Amanda Bellan | Hair: Soichi Inagaki | Make-up: Natsumi Narita |Manicure: Katie Jane Hughes

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Marie Claire Magazine - Ph. Dancian | Styling – Nina Sterghiou | Hair – Kenshin Asano | Make-up – Aya Komatsu

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Vogue China - Ph. Boo George | Stylist - Victoria Young | Model - Katlin Aas

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L’Officiel - Ph. Jonathan Segade | Styling: Alexandra Elbim | Model – Theres Alexandersson | Hair: Marc Orsatelli | Make-up: Eny Whitehead

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Posted in: General news

Double Vision : Dior Couture

October 18th, 2012 |Posted by Janelle

Fashion shows are well and good, but the true test of a collection’s impact is often played out in the editorial pages. When you have multiple editors reaching for the same pieces over and over again you know a designer has hit a nerve. Even when the styling itself isn’t that noticeably different between images, there are always key changes in presentation that separate fashion stories; whether it is the model choice, the manner in which the photographer chose to present the garment, or even something as simple as color vs. black and white, each team puts its own special stamp on things. Take a look at the way in which different magazines have interpreted two of the most popular pieces within the collection and let us know who you think pulled it off best.

Look No. 48  

Black fitted cashmere top with a black duchess satin skirt embroidered with electric blue flowers.

Saskia de Brauw by Daniel Jackson for Vogue Germany, stylist Christiane Arp

Aymeline Valade by Patrick Demarchelier for Vogue Japan, stylist Melanie Ward

Saskia de Brauw by Ruth Hogben for Another Magazine, stylist Katie Shillingford

Karlie Kloss by Eric Guillemain for Sunday Times Style Magazine, stylist Lucy Ewing

Hanaa Ben Abdesslem by Michelle Ferrara for Harper’s Bazaar Arabia, stylist Elaine Lloyd Jones | Suki Waterhouse by Marc Hom for Tatler, stylist Deep Kailey

Stef Van Der Laan by Luca Guadagnino for CR Fashion Book, stylist Carine Roitfeld

 

NiNi in Vogue China / Thana Kuhnen by Marcelo Krasilcic for L’Officiel

Look No. 8

Blue and pink embroidered cut-off ballgown with black cigarette pants

Keira Knightley by Mario Testino for American Vogue, stylist Grace Coddington

Milla Jovovich by Peter Lindbergh for Vogue Italia | Saskia de Brauw by Ruth Hogben for Another Magazine

Dior couture illustration by Ignasi Monreal for Spanish V Magazine

Aymeline Valade by Patrick Demarchelier for Vogue Japanstylist Melanie Ward

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